Epilogue, Temporary Title(Everything That Has Happened to Me Already Exists Within My Eyes)

IInkjet print, sound, 2025

From a place of personal rupture, I look at life and photograph it.
This rupture doesn’t remain a faded memory. It resurfaces during moments of upheaval, taking on renewed vitality. Through the camera, I closely observe the wound, attempting to visually interpret the raw experience of emptiness and impermanence. 

The act of photographing is ,for me, an inward-looking process. It turns toward private, intimate spaces, rooted in the belief that this is where things begin, where they return, and where they quietly settle. These spaces bear the clearest imprint of absence and disconnection left behind by loss. They hold both  familiar and imagined  memories - containing something hidden. Each image has the mark of something that once occurred and a quiet absence left in its wake.

What is captured is the tension between presences - those in-between moments shaped by the fear that something might suddenly intrude and rupture the routine of daily life.

Light plays a central role in shaping the photographic space. Its presence allows a meditation on what is stable and regular in contrast to what is fleeting or beyond reach. Like light, nature becomes a place where time does not unfold as a linear string of moments, but as a continuous and persistent state of being. Its layered temporality challenges the transience of the everyday and opens the door to deeper, more contemplative observation.

My gaze doesn’t seek nostalgia or sentimentality. Instead, it attempts to articulate a basic experience of smallness - facing the human condition, and that which lies beyond. In the natural world, among layers of light and domestic objects, a space emerges where the temporary and the eternal brush against each other; a point of contact between mourning and hope, between an end and the beginning of something unknown.